Time Lapse (2014)
Dir. Bradley King
Writers: King and B.P. Cooper
Starring: Danielle Panabaker, Matt O'Leary, George Finn, Amin Joseph, Jason Spisak, John Rhys-Davies
Review By Greg Klymkiw
Originality rules the day in this cool, clever, compulsively suspenseful and slow-burning science fiction shocker. The superb screenplay by co-producer B.P. Cooper and helmer Bradley King puts the accent on character and creepy-crawly chills. Focusing on a Fine Arts grad (Matt O'Leary), his hot-babe significant other (Danielle Panabaker) and their roommate, a charming slacker bro-mantic buddy (George Finn), the happy-go-lucky troika happen upon a mysterious camera that seems to have the power to capture images from the future.
Coming up with the mad plan to use their secret discovery to score big at the dog races seems like a good idea, but in Richard-Matheson-like Twilight Zone fashion, all does not go according to plan. Whilst buoyant shenanigans and considerable profits follow, mounting greed, sexual tension and backstabbing eventually ooze into the trio's good fortunes.
When we're introduced to a suspiciously malevolent scum-bucket bookie (Jason Spisak), his tough psycho henchman (David Figlioli) and a too-curious security guard turned cop (Amin Joseph), sci-fi starts dipping its toe into the film noir territory of a criminal underbelly. Genre-bending murder and mayhem aren’t far behind.
Tautly directed and magnificently acted, Time Lapse is as good, if not better than most studio pictures that might have attempted similar high concept approaches. Unlike most studio efforts, the accent on atmosphere and some provocative thematic concerns dealing with friendship and morality would have given way, no doubt, to empty bombast.
Thankfully, true independence has yielded a terrific little picture that proves how talented mavericks can move a mountain. Time Lapse manages to move not one mere mountain, but several mighty ranges to yield a killer thriller.
THE FILM CORNER RATING: ***½ Three-and-a-half Stars
Time Lapse has its Toronto Premiere at the 2014 edition of Toronto After Dark