Showing posts with label 1919. Show all posts
Showing posts with label 1919. Show all posts

Thursday, 6 June 2013

MARY PICKFORD: RAGS & RICHES COLLECTION - THE POOR LITTLE RICH GIRL, THE HOODLUM, SPARROWS - Review By Julia Klymkiw - Cub Reporter - 12-year-old Cub Reporter reviews the exquisite Milestone Film and Video Special Edition, Extras-Packed Blu-Ray which presents "Kid-Friendly" Silent Films Starring Mary Pickford



Mary Pickford: Rags & Riches Collection - Milestone Film and Video
The Poor Little Rich Girl (1917) *****
Dir. Maurice Tourneur 
The Hoodlum (1919) Dir. Sidney Franklin *****
Sparrows (1926) Dir. William Beaudine **********

Review By Julia Klymkiw
(The Film Corner's 12-year-old Cub Reporter)

Mary Pickford was a really big movie star from Canada who made movies almost 100 years ago. She played the roles of kids a lot even though she was not a kid, but because she was petite and had really cute curly hair, she could do these roles very well. She was as popular as stars we know from today like Marilyn Monroe, Julia Roberts and Jessica Chastain, but I will tell you that she was very different from so many of the big stars we all know because she made silent movies before they had sound in them.

I love Mary Pickford and I think many girls like me will love her if their Moms and Dads let them see the movies on this Blu-Ray. She is someone who is so good that she always makes you laugh, but sometimes her stories can be sad too.


The Poor Little Rich Girl is so good because she plays a little girl whose Mom and Dad are very rich and they are afraid to let her go outside of the house. She just wants to be like other kids, but her parents are too busy for her. They love her and aren't really mean to her, but she sure wishes she could go out and play. Her nanny is mean though and Mary has to be pretty crafty at finding ways to sneak outside to play. Her Mom and Dad are angry and upset when they find out. She gets into some really bad trouble and needs to get out of it all by herself.


The Hoodlum is sort of like The Poor Little Rich Girl because in this movie, Mary lives with her grandfather and he is always too busy for her. This makes her very lonely. They move to a poor area of the city because her grandfather is a scientist who is studying poor people. He lets her be a real girl, but only because he is so busy. It's nice because she gets to meet her real Dad who is poor. When she goes to play with the poor kids in the neighbourhood they don't like her at first, but as she gets to know them better, they really begin to like her because she is a lot of fun and they always get into trouble. It's not bad trouble, but fun trouble. This movie is really exciting and made me laugh a lot. Mary not only gets to be like real kids, she gets to be like some of the poor kids and she gets to learn a lot about how other kids live.


Sparrows is so good that I gave it 10 stars. [Ed.note: Try arguing with a 12-year-old sometime.]

This movie has funny things in it, but it's not like the other two movies at all. This story is sad and scary. Mary plays a little girl who lives in an orphanage where a family of super bad people are very mean to all the kids. They buy kids and sell kids and this is not something orphanages should do, but in the old days this probably happened a lot. Even today it can happen, but only in countries like Russia and Ukraine.

In this movie, Mary is a bit older than the other kids and because she's a teenager, she always has to try to save them from the really horrible man who is the father of the family. He's not very nice. Well, that is being polite about it, because he is so evil. He makes the kids work really hard, he doesn't care when they are sick, he feeds them horrible food that is not nutritious and in such small amounts that Mary needs to sometimes steal extra food from the kitchen. The orphanage is completely surrounded by a swamp and I do not want to spoil the movie for you, but there are some horrible things in that swamp that want to eat kids.

This is a really great silent movie and I have to say it might be my favourite silent movie of all time. There are times when it is so sad you want to cry, but Mary is such a great hero that you always hope things are going to get better for all the poor orphans. Mary might be a kid, but she is almost like a real mother to the kids.

You really can't ever stop watching the movie. It's that good. Sometimes you laugh and other times it is so exciting and full of suspense that you almost can't bear it. And when the movie is scary, watch out! It's that scary!!!!!!

I think this is an amazing movie for all kids of today to watch. You see how people were very poor in those days, but even though it is from a long time ago, it is interesting to watch because you start to think about how poor people are today and that even today, there are a lot of kids who are treated badly. You hope that in real life there are characters like Mary plays and yes, there are brave people who help kids, but I think we probably need more of them.

Many movies and TV shows for kids have girls who are the main characters, but many of them only care about silly things. In Sparrows, Mary plays a little girl who is so brave, smart and caring. I wish more modern movies had actors like Mary Pickford who could play characters like the one Mary plays here.

Even though I think Sparrows is the best silent movie I have seen, I think the movie is so good that it is probably one of my favourite movies ever that's silent or sound. If you have not seen it, you need to.


This is such a good Bluray and I think all parents have to get it for their kids because they will learn a lot about how movies used to be so different, but were just as good as they are now. Even if the movies of Mary Pickfor are silent, they are not really silent. They always have great music and even the black and white has colour in it because in the old days they used to put colours on scenes in the labs. There is only one colour in the scene that goes on top of the black and white, but it is kind of cool because the colour is used to make you feel if the scene is happy, sad, sunny, cloudy or dark. My Dad explained that to me a long time ago when we watched other silent movies.

There are also a bunch of extra things on the Bluray that kids will enjoy because it explains and shows you how to watch silent movies. I do not mean to brag, but I did not really need this stuff because I have been watching silent movies ever since I started watching movies, but for kids who do not have a Dad who tells them all the stuff they need to know about movies then this is totally perfect. I enjoyed the little documentary things the Bluray plays before each movie starts and even though I knew most of the stuff I find it interesting to see how much stuff other kids don't know about it and how they should. The thing that's really cool is the extra sound on the movies that has the titles read out loud to you and gives you all kinds of cool information. This was good even for me because I didn't need to bug my Dad when I did have questions. He never minds when I ask him questions, though. ;-)

In USA and the rest of the WORLD - BUY Mary Pickford Rags and Riches Collection - HERE!

In Canada - BUY Mary Pickford Rags and Riches Collection HERE, eh!

In UK BUY Mary Pickford Rags & Riches Collection HERE

Saturday, 31 December 2011

THE DRAGON PAINTER - Review By Greg Klymkiw - Important Sessue Hayakawa starring vehicle restored to its former glory by Milestone Films

A CINEMATIC 12 DAYS OF CHRISTMAS, EASTERN-RITE NATIVITY AND FEAST OF THE EPIPHANY: Join me in this special celebration of cinema as each day I will be publishing a review in honour of this season of good will and focusing on films and filmmakers who have made a contribution to both the human spirit and the art of film.

For the SEVENTH DAY OF CHRISTMAS, Klymkiw Film Corner gives to you…



The Dragon Painter (1919) dir. William Worthington
Starring: Sessue Hayakawa, Tsuru Aoki, Toyo Fujita

****

By Greg Klymkiw

The Orient!

That exotic, magical and wondrous land that exudes mystery – always and forever replete with oh-so tantalizing fruits of utter temptation. And no Land of the Orient can tickle the white-bread fancy of the Occident than that of … Nippon!

NIPPON!

O! LAND OF NIPPON!

O! LAND OF GREAT JAPAN!

O! LAND OF THE RISING SUN!

Q! LAND OF THE SAMURAI!

O! LAND OF TERIYAKI!

The delights you have offered us and continue to offer us are bounteous indeed.

And none are so bounteous as the delights offered to moviegoers the world over when the late, great Sessue Hayakawa ruled the silver screens of silent Hollywood and gave men and women alike a glimpse into the glories of the mysterious East.

Most of us know Sessue Hayakawa as the Oscar-nominated actor who played the legendary Col. Saito in Bridge On The River Kwai - David Lean’s classic war epic that delved into the souls of Occident and Orient alike against the backdrop of a Japanese P.O.W. camp. However, in the early years of cinema, Mr. Hayakawa was one of the most sought-after leading men.

Discovered by pioneering producer Thomas Ince (himself the father of numerous standards of production employed to this very day), Hayakawa got his start and immediately demanded and received unheard-of salaries for that period. He eventually signed with Paramount Pictures and his starring role in Cecil B. DeMille’s The Cheat turned him into a $5000 per week leading player. During this time, he formed his own production company Haworth in order to generate productions not only for himself, but his wife Tsuru Aoki and a host of other Asian Americans. His goal was to create box-office hits and roles for Asians that challenged SOME (though certainly not all) the stereotypes common to Asian roles during this period. In this sense, Hayakawa was well ahead of his time – call it ‘Forty Acres and a Samurai’, if you will. (Eat your heart out, Spike!)

Hayakawa clung to the mystery and history of the Orient, but chose to present the characters in more heroic roles rather than the typical Occidental view of Asians which was mysterious, cool, sexy, but ULTIMATELY – evil. If one were to equate this with the images of Native Americans on the Silver Screen, it’s probably safe to suggest that Hayakawa clung to the notion of the “noble savage” and recognized the inherent box-office appeal of this stereotype and its less harmful and offensive “qualities” (which, of course were replete in that of the just plain old evil “savage”).

The Dragon Painter definitely falls into the Asian equivalent of the “noble savage” stereotype. Audiences have always been drawn to the exotic, but especially so during the early years of motion pictures. This was, of course, a time when the world still felt young and exploration of uncharted lands and discovery of new cultures was at a fever pitch. Coupled with the new medium of cinema, audiences – especially those in the West – just couldn’t get enough of what was perceived to be different or exotic.

In The Dragon Painter, Hayakawa plays Tatsu, an artist living alone in the mountains. Perceived by those around him to be insane, he does nothing to give them another opinion since he obsessively paints only portraits of dragons. He is convinced that his beloved fiancée was stolen from him and turned into a dragon. Tatsu’s grief knows no bounds and he insanely continues his dragon paintings. But, crazy or not, Tatsu is clearly a gifted artist and when he is brought before a Master Painter, he’s given a chance to become even greater. It is here where Tatsu faces his ultimate challenge when he comes face to face with the woman he once loved (played by Hayakawa’s wife Tsuru Aoki). He is a happy man once again. Or is he? Grief had eventually become this artist’s muse and now that he is without grief, he stands to lose the gift of his supreme artistry.

The Dragon Painter is an utterly exquisite celluloid tapestry of art and love. It is replete with images that are staggeringly, heart-achingly beautiful and charged with a sense of longing and passion that has seldom been matched.

Hayakawa is, quite simply, remarkable. Completely avoiding the usual silent histrionics, he delivers an intense, sexy and, at times, agonizingly beautiful performance – thoroughly and utterly restrained. It’s not surprising to see why he was such a big star. He is, quite frankly, gorgeous. His flat, broad forehead, piercing eyes, aquiline nose, glorious cheekbones, full, supple lips and a profile to rival that of even the great John Barrymore himself, Hayakawa is without question, an Asian Valentino. Even the way he moves on screen has grace and precision. Perhaps this has something to do with his cultural roots in the Samurai tradition. As a teenager, Hayakawa even attempted seppuku and stabbed himself in the stomach close to forty times. Finally, whatever it was that contributed to his genius as an actor, matters less than what is before us on the silver screen – a star of the highest magnitude.

The Dragon Painter was, by the way, a lost film and only one print existed in France. It has been painstakingly restored for posterity and I sincerely believe my life, and certainly the lives of anyone who cares about cinema, have been made all the more full for having had a chance to see it.

This, of course, is where Milestone Films comes in since they have released this stunning work of art to DVD in a special edition that goes above and beyond the call of duty. Not only are we treated to a gorgeous transfer of restored/rescued elements, but also the DVD includes such delights as the odd short pairing of Hayakawa with Fatty Arbuckle and the feature length marvel entitled The Wrath of the Gods. The latter film not only stars Hayakawa and Aoki, but also features a very young Frank Borzage (immortal director of Three Comrades, A Farewell to Arms and many others) as a sailor who becomes entranced with a young Asian woman who has been cursed by Buddha. The Wrath of the Gods (written and produced by the great and aforementioned Thomas Ince) not only features some really tremendous storm footage and effects, but also makes for equally compelling viewing.

There are lots of great companies out there who unearth some real finds, but Milestone is clearly a company that is devoted to digging very deep for product that not only deserves exposure, but also damn well DEMANDS it.

The Dragon Painter is surely a film that demands to be watched by all true cineastes and has found a home thanks to Milestone.

The Gods of Nippon are smiling.

The Dragon Painter is a Milestone Films and Video Release available on DVD.

In USA and the rest of the WORLD - BUY The Dragon Painter - HERE!