The Threat to Putin |
Dir: Mike Lerner, Maxim Pozdorovkin
Starring:
Nadezhda (Nadia) Tolokonnikova
Yekaterina (Katia) Samutsevich
Maria (Masha) Alyokhina
Review By Greg Klymkiw
On the day Vladimir Putin, the most vile Russian totalitarian leader since Joseph Stalin was allowed to control the country by "appointment", not election, a clutch of intelligent young women immediately formed the Pussy Riot protest movement.
Not unlike the Stalinist show trials of 1937, Nadezhda (Nadia) Tolokonnikova, Yekaterina (Katia) Samutsevich and Maria (Masha) Alyokhina, three members of the Pussy Riot collective were charged with the criminal act of hooliganism, forced to endure months of incarceration between public legal proceedings, tried in what amounted to little more than a kangaroo court and sentenced to hard labour in Siberia. As the world is well aware, their "crime" involved storming the historic Christ the Saviour Cathedral, taking to the altar (where women are not allowed to go, apparently on God's orders) and singing a few bars of their anti-Putin song for about 30 seconds before being dragged away by burly security goons into the shackles of the Moscow police.
Ladies and gentlemen, welcome to Modern Russia!
Unlike Stalin's show trials, Putin's war against women and free speech, completely backfired. Like all sexist, misogynistic Russian patriarchs, Putin and his thugs assumed these young ladies would fold under pressure and display simpering, submissive remorse for their "crimes" and beg for the court's mercy. Instead, the members of Pussy Riot remained defiant, committed and intelligent beyond their years and certainly far more progressive than their brain-dead captors.
Mike Lerner and Maxim Pozdorovkin's fine documentary feature film Pussy Riot: A Punk Prayer wastes no time in presenting a stirring portrait of the trial that captured the world's imagination. The picture lays out the political context, the act of defiance itself and the ludicrous legal proceedings wherein the three young women so passionately and intelligently condemn the Totalitarian regime that, in the name of God (and Putin), seeks to keep its populace under the thumb of subjugation by blending the Czarist-style coalition between Church and State with the Terror Tactics of Joseph Stalin's Communist Dictatorship. Utilizing actual trial footage, news reports, archival materials and new interviews, the filmmakers give us a stirring and expertly edited portrait of these women as individuals and though their journey is harrowing, it equally inspirational in spite of the film ending with their final conviction and sentencing.
Though Putin attempted to save face in December by releasing the women from prison, it was clearly a cynical move meant to deflect attention away from his horrendous new laws that seek to discriminate and criminalize homosexuality - this on the eve of the Sochi Olympics. The frustration one feels watching the film is palpable. Putin and his lawmakers are clearly condemning the Stalinist destruction of religion, yet equating the attempts at free speech employed by Pussy Riot with the heinous actions of a Totalitarian Butcher. Anyone familiar with Orthodox Eastern Rite traditions (which - full disclosure - I was brought up with) realizes how backwards and patriarchal the religion actually is. The very nature of organized religions is to subjugate and the Slavic Orthodox traditions are there as a control mechanism. That Putin, a former Communist KGB thug is all of a sudden so concerned with religious freedoms he once repressed seems just so obvious and disingenuous.
To vilify and criminalize the actions of these young women is appalling and there's no doubt the film, though slanted in their favour, is choosing the proper high ground in this controversy. That Putin is using religion to further the subjugation of the Slavic people - not only in Russia, but in Ukraine and other countries - makes perfect sense, but it doesn't make it right. The film might well be detailing the plight of artists and free-thinkers in Russia under this dictatorship, but the film stands as an important testament to how this tactic is being employed right across the board - not just in the East, but the West as well.
The women of Pussy Riot are, frankly, heroes. My own daughter - NOT in Russia, but in a publicly funded school in Canada - was subjected to the most horrendous patriarchal abuse at the hands of Eastern Rite religion. Singled out by a teacher as a sinner, this sweet, bright (then ten-year-old) girl who "dared" to ask questions in an educational institution was ordered to kneel in the centre of the classroom while the rest of the students encircled her and prayed for her soul - to keep her from going to Hell.
(Note: Another example of this idiocy perpetrated against her in a Toronto school is detailed in Alan Zweig's brilliant documentary 15 Reasons To Live, released by Kinosmith.)
What's happening in Russia can and does happen everywhere. Religion is an opiate, but it's becoming, more and more, a weapon. Pussy Riot is a symbol of all women - and men - who refuse to kowtow to the Status Quo, especially in the spurious name of God. Pozdorovkin and Lerner's film is just the sort of weapon free-thinkers will need to battle the scourge attempting to drown all of us.
Pussy Riot: A Punk Prayer should be required viewing in ALL schools for all young people - as both inspiration and a springboard for greater dialogue as to fighting the forces that want us all to be cogs in a machine - slaves to the power brokers who seek ever more wealth and power.
"Pussy Riot: A Punk Prayer" is currently in theatrical release via Kinosmith. It's begun its run at the Bloor Hot Docs Theatre in Toronto and will roll out across the rest of Canada.