Here's an excerpt from my Full Report in "Electric Sheep Magazine" on the World Premiere of the Jim Jarmusch and Phil Kline work-in-progress, the opera entitled TESLA IN NEW YORK:
‘Music,’ says Jarmusch after the performance, ‘is the most beautiful form of artistic expression and I sincerely believe film is the most closely related artistic form to music. It’s why I make movies, but it’s also why I feel the need to make opera.’
To say that music is often the driving force behind Jarmusch’s cinematic visuals, if not their very heart and soul, might well be an understatement. Can anyone imagine Eszter Balint in Stranger Than Paradise dragging her luggage through the monochrome warzone of New York without Screamin’ Jay Hawkins intoning his crazed seductive yelps of ‘I Put A Spell on You’, or for that matter as the film’s Greek Chorus of ennui and passion?
‘Music’, Jarmusch elaborates, ‘is my guide into the greater world through the medium of film. There were many places I’d never visited and wanted to get to know because of the music that came from them. The music of New Orleans and Memphis, for example, are what led me to eventually make films like Down by Law and Mystery Train. As for Tesla in New York, I know New York intimately, but I’m hoping the opera will allow me, through fact, fancy and imagination, to get to know Tesla’s New York.’
Music and made-in-Winnipeg-cinema have always nestled cosily under the fluffy blankets of glorious warmth and forgetfulness. To wit: earlier in the evening, while grabbing a smoke outside the Centennial Concert Hall in the -40 climes, I spied Guy Maddin, surely one of cinema’s great working film artists. He was scuttling maniacally up the granite front steps, strewn with sand to prevent icy tumbles, hurtling himself into the balmy ticket vestibule. I sucked back the remainder of my bâton de cancer filled ever so generously with tax-free all-Natural Native Tobacco I secured earlier that day on a nearby reservation populated by my entrepreneurial Aboriginal Brothers. I then made my way to greet the esteemed Mr Maddin who was waiting patiently in line at the ‘Will Call’ wicket...
You can read the full article in my column: "Colonial Report on Cinema from the Dominion of Canada" at ELECTRIC SHEEP MAGAZINE (UK) - a deviant view of cinema. Click on the handy link HERE.
